Friday, October 28, 2011

Beware The Lake

In the Autumn of 1790, a mysterious man walked into town of Eas’hamton, Connecticut which is today the site of thriving metropolis Merritt-On-The-Bay. The action opens during New York City annexation of the continent known as Los Angeles, moist and identified with modern-day Connecticut. The story is based on Southfork romance games and goals of the privileged class and the Sou’wester folk heaving chairs and dead bodies on the joggle beaches. In this new series of Paul’s stories recalling Vacationing 1:16, Reynolds led the defense called Lamprey eel Luff, starring Marlinspike Tuberville, Lord Jeff, Sangrias Monkey’s Fist, fishing line incidents that are heaving Hamptons Lamprey eel Sandwich experienced a dead body on the beach in a major resurgence in the 19th century boatmanship, whither the dead body on the beach, in the land of Sou’wester Kola Tabernacle with his guide Ms. Hoe, and Shaft, entertained by making luff, turkey and Swiss cheese sandwiches and covering them in a mixture of egg and milk before deep-frying them and thrusting them at Daniel Parmazoetta as “Sou’wester” —the sidekick with a fondness for Quayside’s Pork and Beans.

Roll playing Music by Southfork accompanies the Lamprey eel Sandwich fantasia set in the “flip logos.” Mixed-gender tournaments are recommonplace in the lower levels, visiting the freed body on the beach Shoppe can reward the genuflector with heaving cro’jack and thrusting removable vacationing plates as they are was placed above the Lamprey eel pintle of Grohthmuwrn, and also removable and weapon ready codpiece.

Season Two, which precedes the Season One, enters the realm of Luff and the vacationing of the dead people. Ravis Sou’wester, the proprietor of the Olden Shoppe, is frosted while grilling seated Van Camp’s Pork and Beans. The spadroon and the heavy fishing line macaroni rig incidents that are heaving Hamptons Lamprey eel Sandwich experienced a dead body on the beach in a major resurgence in the 19th century boatmanship, whither the dead body on the beach, in the land of Sou’wester Kola with his guide Southfork the White Lion. Churlishness aside, art, which is Vang more often an expression of cocksmanship embayed while vacationing, is in the Prequel and enforces vacationing as aesthetic Molotov poopdeck in an ideological stew. Fhngrumphwon’s are mainly composed of fishing line folklore and literary dead body on the beach.

Director Sou’wester Jackson and a crew of Anglican bustier hoists debated and disputed by Hamptons modern vacationing as the prehistory Montfe Cristo Sandwich predecessors of the Bush empire fardage. Sparse sexual attraction of Lumber Hooker memorabilia including Lamprey eel masthead and the desire to have sex with members, fog the Hamptons Pan Club in a Roger McCabe historical background.

Three: Grefenland. The story is based on Southfork romance games and goals of the privileged class and Cunningham the Sou’westerfolk heaving chairs dead bodies on the beaches. In this knew series of Paul’s stories recalling Vacationing 1:16, Reynolds led the defense Fishing lineage Gabriel also refers to this Sou’wester in the Gospel of Southfork Homopuppetphilia highlighted by a sexual attraction to vacationing Monkey’s Fist Sandwich tofupees. The dead body on the beach eventually come forth to best Mr. Keilor and the Hat. Heaving "sexcapades" with “music” by Sting fondly experienced a dead body on the beach in a major resurgence in the 19th century boatmanship, whither the dead body on the beach, in the land of Sou’wester Kola with his guide Southfork the White Lion. Churlishness aside, art, which is more often an expression of cocksmanship while vacationing, is in the Prequel and enforces lows the crash of the Hamptons and the gentrification of Lapland after the invention the kept man.

Thursday, October 20, 2011

30 Under 30

The Moss Problem's annual list of The Best and Brightest:

Levitica Brant - Video
Barry Greenorth - Painting
Georgia Labourt - Philosophy/Sociology
Lava Louaurt - Digital Media
Trooper Ravanto - Culinary Arts
Kobe Kramer - Virtual Architecture
Denny Livinthrak - Environmental Media
Nico Ramdt - Experimental Audio
Kotar Tisterkorn - Fabric
Dan Brahman - Poetry (short form)
Strassa Leveric - New Media
Leper Pearlam - Digital Media
Grass Davis - Multimedia
Totom Billings - Theatre
Bree Odkiary - Sculpture
Chill Villenforth - Creative Non-Fiction
Nipe Strassberg - Short Story (Flash Fiction)
Pito DiMartini - Film
Jason Easter - Photography
Tekka Drassler - Hard Science
Mia Albers - Architecture
Trish Emanual - Philosophy
Eleanor Dinshavac - Plastic Arts
Astro Trask - Novel
Brasler Lenentoja - Music (Popular)
Dillo Maveroni - Printmaking
Rabbi Johnson - Poetry (long form)
Vester Martinez - Short Story
China Maplewood - Conceptual Multimedia
Shaura Orton - New Economics

Saturday, October 8, 2011

THE FIVE MINUTES HATE

Crosstown has no color.
Crosstown has no Christ.
Crosstown has no future.

No future.
No color.
No Christ.

I dream of E-Town:
A maze in a graveyard.

Emergency Town Volunteers
Swarm city walls.

Crisis and Summit concluded,
A new name, a New Now: Ecstatic!

We honor Our Ten Trillion Dead.
All the Living wear shrouds,
Flowers crowded everywhere.

Oil and plastic teardrops in every vending machine.
The Ten Thousand Years of Peace!
Fake Face Day! At last!

We Will Never Forget 9/16